Press/Reviews

CD Reviews

Arts Journal Blogs – ‘Rhapsody in Blue’ Tuesday, 12 February 2013

The one pianist of this crowd who just might be an artistic space alien is Benjamin Grosvenor, a 20-year-old Brit I’ve follow assiduously in broadcasts all over Europe, as well…

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International Piano – ‘Rhapsody in Blue: Saint-Saëns’ Friday, 11 January 2013

‘The programming is exemplary’ ‘fleet fingerwork and fizzing trills lift Grosvenor’s performance to another level’ ‘Grosvenor’s way with Saint-Saën’s Second Piano Concerto is most affecting, capturing not only its fantasy…

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Gramophone – ‘Rhapsody in Blue’ Friday, 2 November 2012

“one of the most dazzling records to have come my way for many years.” “He has technique to burn and his pungency and force are things to marvel at” “Grosvenor’s…

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The Piano Files – ‘Rhapsody in Blue’ Monday, 24 September 2012

“Profound and dazzling interpretations of great music… Grosvenor’s style, as I commented when reviewing his solo disc last year, blends an unusual degree of refinement and precision with old-school impulsiveness…

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BBC Music Magazine – ‘Rhapsody in Blue’ Wednesday, 5 September 2012

“I can only concur with other critics who hear in his tone and phrasing echoes of a golden age, and that he should count Alfred Cortot and Benno Moiseiwitsch among…

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Audiophile Audition – ‘Rhapsody in Blue’ Wednesday, 29 August 2012

Very recently recorded (16-19 April 2012 at The Friary, Liverpool) and hot off the press, Benjamin Grosvenor’s debut recording with orchestra is highly impressive.  His combination of thorough preparation and…

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The Independent – ‘Rhapsody in Blue’ Saturday, 11 August 2012

On his second Decca set, piano wunderkind Benjamin Grosvenor programmes Gershwin alongside roughly contemporary pieces by Ravel and Saint-Saëns, but it’s the connection between Rhapsody in Blue and Ravel’s Piano…

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The Philadelphia Inquirer Thursday, 22 March 2012

“Poised to make his New York recital debut Sunday, the 19-year-old British pianist Benjamin Grosvenor has been nothing but a sensation so far, and his recital disc of Chopin selections,…

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Classics Today Monday, 14 November 2011

“A remarkable release no piano lover should miss.”

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International Record Review Thursday, 22 September 2011

“Grosvenor is seemingly uncapable of producing an ugly tone… This is essential listening.”

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Gramophone Friday, 2 September 2011

“Live recordings circulated privately over the past few years and this new one are evidence of an awesome talent, a pianist with fantastic natural reflexes in the Cziffra class and,…

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BBC Music Magazine Friday, 2 September 2011

“One of the most individual things about this stunning debut by Benjamin Grosvenor is his pervasive sense of balance and his unerring blend of Classical restraint and Romantic ardour…He is…

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The Observer – ‘Chopin, Liszt & Ravel’ Sunday, 17 July 2011

“This recital disc shows his ability to twin youthful exuberance with impeccable technique and magisterial musical intelligence.”

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The Daily Telegraph – ‘Chopin, Liszt & Ravel’ Saturday, 16 July 2011

“The first thing you notice is the limpid surface of Grosvenor’s playing, the warm tonal gleam that he conjures up from the keys. It is a beautiful sound, and beneath…

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Mark Ainley ‘The Piano Files’ – Chopin, Liszt & Ravel’ Saturday, 9 July 2011

“The playing on this disc is some of the best you will hear of these works and bears repeated listening – indeed, it demands it. It is the kind of…

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The Times – ‘Chopin, Liszt & Ravel’ Friday, 8 July 2011

“Grosvenor, you can tell, is a Romantic pianist, almost from another age. He doesn’t deconstruct, or stand at a distance. He jumps inside the music’s soul.” Geoff Brown

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The Independent – ‘Chopin, Liszt & Ravel’ Friday, 8 July 2011

“It’s an immensely confident set…the most impressive aspect being not his obvious command of technique, but an intellectual and emotional understanding of the music way beyond his tender years.”

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Concert Reviews

The Vancouver Sun Saturday, 13 April 2013

“The trajectory of Grosvenor’s program, which juxtaposed transcriptions with early works by Scriabin and Beethoven, was fastidiously planned and perfectly tailored to demonstrate his overflowing catalogue of musical virtues. Technical…

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San Francisco Classical Voice Wednesday, 10 April 2013

“His movement was utterly fluid and focused, as if all his energy and intentions were directed at creating music.”   “His savant-like approach to details and his unspoiled clarity may…

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Alabama Sunday, 17 February 2013

‘the young pianist’s hands danced and swept across the keyboard so deftly and quickly that they became a blur’ ‘incredible control and virtuosity’ Read the full review here

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BBC Symphony Orchestra, Andrew Litton, The Times Monday, 14 January 2013

‘the British wonder Benjamin Grosvenor’ ‘The unshowy Grosvenor coasted across the orchestra’s bustling tapestry with dappled sonorities, limpid arpeggios, poetic insights: thoughtful musicianship, all the way’  Geoff Brown, The Times…

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BBC Symphony Orchestra, Andrew Litton, The Guardian Monday, 14 January 2013

‘Britten’s lithe, blithe and rather underappreciated work was nicely done’ ‘His dreamy tone and sense of improvising made a nice counterpoint to Litton’s unfussy traversal of Britten’s glittering score.’  Guy Dammann, The…

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BBC Symphony Orchestra, Andrew Litton – The Arts Desk Saturday, 12 January 2013

His relaxed, darting and humorous spirit conjured Ariel rather than Caliban, asserting his magic in a cadenza that really did feel as if it were being improvised so that the…

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BBC Symphony Orchestra, Andrew Litton – The Independent 4* Saturday, 12 January 2013

  “an absolutely stunning performance of Britten’s Piano Concerto by Benjamin Grosvenor, whose playing has now gained formidable authority. In this early work, with its clear echoes of Prokofiev and…

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International Piano Series, Queen Elizabeth Hall Friday, 11 January 2013

 ’His Bach Partita had notable firmness and clarity, with a lovely precision in its ornamentation; the melody of the Sarabande hung like perfume in the air, before being playfully dissipated…

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The Seattle Times Friday, 4 January 2013

“brilliantly dexterous digits and an interpretive finesse” “Grosvenor gave a performance of the Rachmaninov Piano Concerto No. 2 that was equal parts clarity, lyricism, and flat-out hair-raising panache. No wonder…

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International Piano Series, Queen Elizabeth Hall – Jessica Duchen’s Classical Music and Ballet Blog Friday, 2 November 2012

“As you know, Benjamin Grosvenor, 20, is the darling of every pianophile in Britain and beyond. We were there in force to hear his debut recital at the Southbank’s Queen…

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International Piano Series, Queen Elizabeth Hall – The Independent, 4* Thursday, 1 November 2012

“Benjamin Grosvenor may be only 20, but it’s a long time since we had a Southbank debut as keenly awaited as this.” “…he routinely programmes surprises, like a conjuror pulling…

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International Piano Series, Queen Elizabeth Hall – The Telegraph, 4* Thursday, 1 November 2012

“He walked on with that guileless straightforwardness that comes from complete confidence, frowned at the keyboard for two seconds as if to take its measure, and plunged into the grand,…

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International Piano Series, Queen Elizabeth Hall – Classical Source Thursday, 1 November 2012

“He has a range of colour and expression and a reflective intelligence that would be the envy of a pianist twice, three times his age – the sort of insight…

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International Piano Series, Queen Elizabeth Hall – The Arts Desk Thursday, 1 November 2012

“Benjamin Grosvenor made his Southbank recital debut last night in a sold-out Queen Elizabeth Hall in another milestone in his unstoppable evolution from wunderkind to fully-fledged concert star.” “Noticeable from…

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BBC Prom – Guardian Wednesday, 15 August 2012

  ‘The best moment in this year’s concert came when all were quite silent, listening open mouthed to a red-shirted student pianist make light of the dense tangle of notes…

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BBC Prom – Jessica Duchen’s Classical Music and Ballet Wednesday, 15 August 2012

  ‘Benjamin went for gold’ ‘the pianist’s voice shone out as a sliver of truth: genuine, unsullied 100-carat musicality. The work’s ferocious technical challenges flew past as though effortless’ ‘He…

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BBC Prom – Gramophone Blog Wednesday, 15 August 2012

‘…what a remarkable, exciting talent he is. In contradistinction to the late Prom, the Royal Philharmonic’s concert was packed to the rafters and I put that down to the draw…

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BBC Prom – The Independent Wednesday, 15 August 2012

“The virtue of Saint-Saens’s second piano concerto, which he played in Prom 43 with Charles Dutoit and the Royal Philharmonic, was that its second and third movements allowed him to…

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South Florida Classical Review Thursday, 22 March 2012

“Thursday’s performance of Gaspard was completely mature and technically secure, revealing all of his considerable strengths. His Ondine was fluidly effortless, a spectacular display of clarity and lightness. Le Gibet…

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The Washington Post Thursday, 22 March 2012

“It was a prodigious debut, marked in equal parts by Grosvenor’s outstanding technical accomplishment and his interpretive depth… The apex was an outstanding rendition of Ravel’s “Gaspard de la nuit”,…

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New York Times Thursday, 22 March 2012

“A youth at home at the keys.” “Benjamin Grosvenor, the 19-year-old English pianist who made his New York recital debut at the Frick Collection on Sunday afternoon, seemed the picture…

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Singapore Symphony Orchestra, The Strait Times Wednesday, 29 February 2012

“In between all of this was 19-year-old British pianist Benjamin Grosvenor’s original and compelling take on Schumann’s Piano Concerto. That all the notes fell comfortably within his prodigious fingers was…

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Pianist Magazine Tuesday, 22 November 2011

“The brilliant British pianist on how hard work pays off.”

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First Night of the BBC Proms – The Arts Desk Monday, 22 August 2011

“Grosvenor’s crystalline clarity projected nearly every note effortlessly into the vast auditorium’s spaces. He doesn’t ever have to force for effect…” David Nice, The Arts Desk, July 2011

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First Night of the BBC Proms – Musical Criticism Monday, 22 August 2011

“…with the appearance of young pianist Benjamin Grosvenor, the air came to fizzle and spark with unexpected intimacies, and to gleam with striking flourishes, both solo and ensemble in nature….

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First Night of the BBC Proms – ClassicalSource.com Monday, 22 August 2011

“He gave Liszt 2 a terrific outing. From the woodwinds’ beguiling opening invitation, responded to with much poetry by Grosvenor, through to the high kicks of the grandstand coda, there…

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First Night of the BBC Proms – The Times Monday, 22 August 2011

“Liszt’s Second Piano Concerto also gave us star glitter and subtle musicianship, in the form of the British pianist Benjamin Grosvenor… Listening to Grosvenor, age seemed beside the point. What…

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First Night of the BBC Proms – Telegraph Monday, 22 August 2011

“This performance showed he already has a perfectly honed technique, able to despatch Liszt’s fearsome double-octaves with unflustered precision. In the slow movement he allowed Liszt’s reflective passages to drift…

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First Night of the BBC Proms – The Independent Monday, 22 August 2011

“That boy seems to have a sonic variety of liquid gold in his fingers. He’s a natural romantic, sensing exactly how to shape an ecstatic arc and pace a rubato;…

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First Night of the BBC Proms – The Guardian Monday, 22 August 2011

“The evening’s main soloist, 19-year-old Benjamin Grosvenor, later launched himself at Liszt’s Second Piano Concerto, revelling in its brilliance and conveying its blend of showmanship and poetry with easy assurance….

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Mozart K.467 – Birmingham Post. Sunday, 21 August 2011

“Benjamin Grosvenor, OOTS’ latest associate artist, received a tremendous reception from a well-filled auditorium even before he’d played a note of Mozart’s Piano Concerto no.21, K467. After a poised, crystalline…

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St. Lukes, London, UK, Recital Thursday, 14 October 2010

“After winning the BBC Young Musician of the Year competition at eleven, he has built up a glittering career as both recitalist and concerto performer…the light, singing touch he brought…

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Singapore International Piano Festival, Recital Friday, 25 June 2010

“His Chopin, two Nocturnes book-ending the Third Scherzo, juxtaposed seamless cantabile with scintillation and immaculate octave-work. Ravel’s devilish Gaspard de la nuit bristled, not just with stunning note-perfection but a…

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Gauting, Germany, Recital Saturday, 6 March 2010

“A Keyboard Visionary…The ‘vocabulary’ of Grosvenor’s ‘piano dictionary’ knows no bounds. Like a painter, he sketches scintillating moods in Ravel’s ‘Gaspard de la Nuit.’ And Liszt’s B minor Sonata matures…

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Macalester College, USA, Recital Sunday, 28 February 2010

“What those fortunate enough to find a seat experienced was a 17-year-old artist who seems able to channel the emotional storms of adolescence into high-contrast interpretations of Romantic masterworks and…

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Gilmore, USA, Recital Sunday, 21 February 2010

“He exuded superb musicality…The pianist created unearthly fluttery figures in [Chopin's] Scherzo No. 3 in C-sharp Minor, Op. 39, giving it a spiritual dimension…Ravel’s brilliant ‘Gaspard de la nuit’ closed…

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